CD: Renée Pietrafesa Bonnet
...Acoustic, mixed and electroacoustic music !
« Within an orgiinal aestthetic proposal, Renée Pietrafesa
Bonnet brings us next to her creation with works for piano, organ, instrumental
and vocal groups, symphonic orchestra, mixed works for instruments, voices
and electronic means, improvisations and electroacoustic
works ».
Several works presented in this album belong to a set of chamber music pieces,
little pieces of intimate mood, in which different instruments blend with
the synthesizer or tape, in order to achieve a totally expressive result.
The synthesizer allows to establish, in a quite accessible way, "le lien"
between a new technology and purely instrumental practice. It is used and
played in this work in real time,.like any other instrument or processed
at runtime with other instruments or, lastly, allowing a certain and elaborated
sonority in electroacoustic music studio.
From rhytmic point of view, some pieces (A 3, Travesuras, TanMilonCan, etc.)
contain several passages in whichquick syncopated displacements of accent
appear, based on rythms like candombe, tango and milonga. Interpreters are
allowed, when suitable, to impovise from different proposals, vary them and
even modify them during execution.
It is in tha aesthetic axe of a synthesis among the endless possibilities
of the electroacoustic and of the instrumental execution, the perfectly
determined one and the undetermined one, the frontal and the spacial perception,
where I find a specially fertile soil to express the content.
| 2002 : | Improvisación
2002 To Angel Turriziani. Piano: Renée Pietrafesa Bonnet - Concert recording. Paris (France) |
1:15 |
| 2002 : | Improvisación
2002 To Héctor Tosar. Piano: Renée Pietrafesa Bonnet - Concert recording. Paris (France)) |
3:15 |
| 1982 : | ¿Por
que? To my mother, Renée Bonnet. Piano: Renée Pietrafesa Bonnet - Concert recording. Manosque (France) |
4:55 |
| 2002 : | TanMilonCan,
for piano with 4 hands Piano: Luis Battle - Renée Pietrafesa Bonnet - Concert recording. Montevideo (Uruguay) |
10:08 |
| 1995 : | Resonancia
por la paz Piano: Renée Pietrafesa Bonnet - Concert recording. Strasbourg (Franc |
6:42 |
| 1995 : | Improvisación Continuo
"Caminando..." for prepared piano, guitarra, sitarel and magnetic tape, on dances and songs of Uruguay. Piano: Renée Pietrafesa Bonnet. Guitarra: Amílcar Rodriguez Inda. Sitarel: Ariel Ameijenda. Montevideo (Uruguay) |
1:54 |
| 1990 : | Improvisación
for organs on Quiché theme "Pleno" Organo: Renée Pietrafesa Bonnet - Concert recording. St-Paul Church, Lausanne (Switzerland) |
2:10 |
| 1979 : | A 3 o Sugerencias for
violin, viola and synthesizers Violin: Laurent Cuniot. Viola: Denis Dufour. Synthetizers: Yann Geslin. Paris (France) |
10:43 |
| 1975 : | Travesuras for oboe, harpsicord, piano, double bass, synthetizer, marimba, vibraphone, organo, timbals and bongo. Oboe: Michel Henry. Harpsicord: Odile Bailleux. Piano and synthetizer: Renée Pietrafesa Bonnet. Double bass: Unal Erte. Marimba, vibraphone andt timbals: Atsushi Suganara. Organo: Acuna Maureira. Bongo: Martin Saint-Pierre - Concert recording. Paris (France) |
8:01 |
| 1996 : | Translaciones
"Déjennos la esperanza" Version 3 Symphonic orchester of the Conservatoire de Strasbourg, Conducting: Renée Pietrafesa Bonnet - Concert recording. Strasbourg (France) |
5:52 |
| 2006 : |  ¿Que
le pregunto?Featuring Pierre Schaefer's voice. Technician of sound: Pablo Rosa. Montevideo (Uruguay) |
0:39 |
| 2000 : | "Quetzal" To Freedom. Manosque (France) |
2:33 |
| 1972 : | "A
los olvidados" Recorded in the American Center's studio. Paris (France) |
2:06 |
| 2004 : | "Mujeres"
de Luis Masci, 4 moments Comedia Nacional. Conducting: Nelly Goitiño. Technician of sound: Pablo Rosa. Montevideo (Uruguay) |
7:48 |
| 2005 : | "Almuerzo
con Ludwig" de Thomas Bernhard, 3 moments Institución Teatral El Galpon. Conducting: Nelly Goitiño. Technician of sound: Pablo Rosa. Montevideo (Uruguay) |
7:45 |
Web:
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El Pais Digital: Recopilación valiosa de una notable
compositora
Renée Pietrafesa Bonnet es un paradigma. Pedagoga, divulgadora y compositora inquieta siempre ha demostrado una capacidad sin límites para la experimentación.